Monday, July 30, 2018

C10th AD and C7th AD oddities


Image result for magyars

 

by

 

Damien F. Mackey

 

 

 

“Very strange it is that the author of the Chronicon Pictum manages to find the Byzantine emperor at the time of the Magyar reconquest to be an emperor living in the 600’s!”

 

Gyula Tóth

 

 

 

That ‘something is rotten in the state of’ aspects of the text book AD history is apparent, I think, from what I wrote in my article:

 

Judith the Simeonite and Judith the Semienite

 


 

according to which the famed Jewish heroine, Judith, of c. 700 BC (conventional dating), has been strangely projected into a (artificial, I believe) c. 900 AD scenario, as Judith (or Gudit), complete with some Judith-like named ancestors.

The kingdom of Axum, I have concluded, appears to have been substituted for the ancient kingdom of Assyria (both in the case of Gudit and that of Mohammed).

 

Now Gyula Tóth, writing with reference to German historical conspiracy theorist, Heribert Illig and his Phantom Time Hypothesis, tells of apparent duplications of AD’s C10th and C7th”: https://www.smithsonianmag.com/history/nice-things-to-say-about-attila-the-hun-87559701/

 

The Trap of False History

 

The Dark Pages of the Middle Ages

 

 

Illig also reports on the conspicuous similarities between the Byzantine state of affairs of the 7th and the 10th centuries.

 

“Around the year 600 AD the advancing Avars weaken the imperial realm militarily on the Balkan peninsula”, he writes.

 

Let us not forget: with the correction of the 300 years the time of the advancement of the Avars coincides with the advancement of the Magyars. Since Byzantium will need to involve itself in another conflict with yet another strong northern enemy, this time in the beginning of the 900’s and the Magyars, there is a strong suspicion that the entire Avar era is nothing but a chronologically predated duplicate of the Magyar reconquest. Illig refers to Manfred Zeller, who in his work about the steppe peoples points out: “the number of these horse peoples doubles in the 1st millennium, filling up the empty centuries!” Hence the Avars are simply just a duplicate. They are nothing other than a nation created from one of the adjectives used to describe the Hun-Magyars and its only purpose was to fill out the empty centuries. The rich archaeological finds admired under the Avar name might as well be the legacy of the Huns of Attila.

 

But let us return to Byzantium: in 602 a frightening and talentless figure sits on the Byzantine throne in the person of Phokas, who can only come to power by regicide. Husrau II, the Persian king takes advantage of the favouring moment and attacks Byzantium, allegedly to avenge the death of the emperor. Although in 610 Heracleitos topples the terror reign of Phokas, the relentless advance of the Persians continues: they conquer East Anatolia, Mesopotamia, Syria, Palestine, Egypt and via the shores of North Africa march all the way to Tripoli. The taking of Jerusalem and the capture of the Holy Cross takes place on May 22, 614 AD, after three weeks of siege. It is interesting to note, that Heracleitos has a co-ruler, his own son, who is crowned already at two years of age, but who lives in the shadow of his father for a long time without any real executive powers. When he finally and belatedly comes to genuine power, suddenly his wasting existence ends. The person in question is none other than Constantine III. On top of it all, this is the very same Constantine III also mentioned in the Chronicon Pictum in connection with the dating of the Magyar reconquest:

 

“… hundred and four years after the death of the Hungarian king Attila, in the time of emperor Constantinus III and pope Zachary – as it is written in the chronicles of the Romans – the Magyars emerged a second time out of Scythia…”

 

Very strange it is that the author of the Chronicon Pictum manages to find the Byzantine emperor at the time of the Magyar reconquest to be an emperor living in the 600’s!

As we know, according to the theory of Illig the fictitious centuries start the year 614, that is, not long after the capturing of the Holy Cross. Constantine III is already crowned co-ruler, yet he is only three years old. The time when he comes to genuine power, actually already takes place in the phantom era. If Illig’s theory is correct, then Constantine III has to appear in some form also in the 10th century. And lo and behold, the miracle of miracles, in the 10th century we again meet a Constantine – true, this time not III but VII! Indeed, it is the very Constantine VII Porphyrogenitus who in all likelihood was one of the creators of the fictitious centuries. After all this, Illig starts to examine the 10th century life history of Constantine VII Porphyrogenitus. The story begins somewhere at the start of the 10th century, when pope Leo is widowed three times within four years, before Zoe gives birth to an illegitimate son. After crowning this boy co-ruler the year before, Leo dies in 912. (It is worthwhile to point out that according to the theory of Illig history starts again in 911, therefore, at the time of the crowning of his illegitimate son in 912, we are again witnessing genuine history take its course!) This boy rises to real power very late, 24 years after his coronation, meaning that up until then others were managing the affairs of the realm, which obviously must have stung in the eyes of the young emperor. In this regard he resembled very much Constantine III, who also got his hands on the governmental reins rather late, and who also was crowned co-ruler by his daddy, the emperor. At this point who do you think was the illegitimate son of emperor Leo of the 10th century? Indeed, none other than Constantine VII Porphyrogenitus himself! So there is a conspicuous similarity between the lives of the Constantine (III) of the 7th century and the Constantine (VII) of the 10th century. It is interesting to note, that Constantine VII Porphyrogenitus gives the credit for repossessing the Holy Cross from the Persians not coincidentally to Heracleitos, since by this act he honoured his own (7th century) father, paying homage to his memory. Due to the fact that Heracleitos, by being the father of Constantine III of the 7th century, was in fact also the father of Constantine VII of the 10th century! On top of it all, Constantine VII Porphyrogenitus manages things in such a way, that the genuine history more or less starts again from the time of his own coronation!

 

But not only do the persons of the two Constantines show conspicuous similarities, but also the foreign political affairs of 7th century and 10th century Byzantium. In the 7th century, as I have already mentioned, the Avar advance from the north was afflicting the empire, while the Persian conquests in the east were multiplying the worries of “Constantines” of all ages. In the 10th century it is as if history would repeat itself: from the north the Magyars are disturbing the peace of the empire, while from the southeast the Arab advance is doing the same. This is the point at which a feeling of apprehension starts to boil up inside: is it not possible, that looking at the Avars of the 7th century we actually see the 10th century Magyars? And is it not possible, that the advance of the 10th century Arabs in actual fact is identical with the 7th century Persian advance? If the Byzantine empire in the 7th century had to face the opposition of the Persians and Avars, then these peoples turn into Magyars and Arabs in the 10th century! In connection with the Arab-Persian problem Illig writes the following:

 

“A certain mystery of art history becomes clear, which asks why there are to be found many more Persian-Syrian than Arab elements in Spain. (…) We no longer have to wonder how a small number of Arabs from oases could succeed in attacking all nations of their time from Spain to the Indus river with such favourable results; this is more to be expected from the Persian armies.”

 

Sunday, July 29, 2018

Judith and Holofernes, Attila and Odabella

Odabella – Nürnberg 2017


World Renowned
Judith of Bethulia


Part Five:
Judith and Holofernes, Attila and Odabella






“Odabella implores him to kill her, but not to curse her. She reminds his fiancé the story of the Hebrew Judith, who saved Israel from the Babylonians [sic] by beheading their leader Holofernes. Odabella has sworn to revenge …”.

“Attila” by Giuseppe Verdi






Scene 1

Square in Aquileia – a Roman town, ruined and burnt down by the Huns. Attila’s warriors are celebrating their victory. In a chariot, pulled by slaves, arrives their leader and sits on a throne made of shields and spears. Attila is struck by the beauty and courage of the captivated Roman Odabella, who was not afraid to talk in front of him about the incredible women in Italy, always ready to fight against the enemies, and then she insisted to have her sword back. The impressed Attila gives Odabella his own sword as present, and she sees in this gesture a sign of destiny: soon will come her time.
The young woman wants to take revenge for the death of her father, the Lord of Aquileia, and for her fiancé Foresto, also deceased in the battle with the Huns. From Rome arrive messengers, led by the Roman General Ezio – an old enemy of Attila, who, however, the King of the Huns respects deeply as his worthy adversary. The Roman proposes a peace agreement: let Attila rule the whole world, but let him leave Italy to Ezio. The King of the Huns rejects the proposal and threatens that soon he would conquer the arrogant Rome and punish the Emperor.

Scene 2

Desert island on the Alto river. After a stormy night the clouds get cleared, the fog lifts and the rising sun illuminates the horizon. Several hermits are glorifying the power of God, which has put down the night sea storm. Refugees from Aquileia arrive, led by Foresto – Odabella’s fiancé. He didn’t perish by the siege and is at the head of the Romans, who have saved themselves from Attila, ready to fight for the revival of his fatherland and take revenge on the Huns.

Act I

Scene 1
Attila’s camp near Rome. Moon night. The crying Odabella sees in a cloud passing by the images of her dear perished ones – her father and her fiancé. All of a sudden in front of her springs Foresto. The young girl falls into her arms with joy, but he rejects her. The young officer thinks that his beloved was unfaithful to him, if she has voluntarily come in the camp of the enemies. Odabella implores him to kill her, but not to curse her. She reminds his fiancé the story of the Hebrew Judith, who saved Israel from the Babylonians by beheading their leader Holofernes. Odabella has sworn to revenge, and the oppressor has given her by his own his sword in the hands. Foresto begs her beloved pardon and both of them, embraced, vow to die for their fatherland.

Scene 2
Attila‘s tent. The King of the Huns is sleeping, wrapped in a tiger fur, but all of a sudden he jumps out of his bed. In front of him arises a gigantic figure of a white-haired Roman, who stops him in front of the gates of Rome and warns him: for barbarians and pagans there‘s no place in the Eternal city, because this blessed land belongs to God. Attila calls the priests, the leaders and his army – he is ready to defeat the ghost, and the whole world! The battle trumpets answer quite different sounds. Undino lists the tent‘s canopy and Attila sees how from the near-by hills descend Roman children, young women and old men, dressed in white and with palm branches in their hands. Led by the old man Leone, whom Attila saw in his dream, the Roman women and children have risen to defend their city. And from Leone‘s mouth Attila hears once again the fatal warning. Scared to death, the King of the Huns loses consciousness. The Huns are struck – what is this force, which made the powerful Attila for the first time to beg for mercy?

Act II

Scene 1
Ezio‘s camp near Rome. The general reminds himself the glory of his city, which now is humiliated, governed by weak and incompetent Emperor – the young Valentinian. A group of Attila‘s slaves arrive with an invitation for a big feast. Among them is also Foresto, who warns Ezio, that tonight the King of the Huns will be killed, and when the Romans see the signal sign – fires lit on the hills, everyone must rise as one to win their freedom. Ezio is rejoicing. Even if he falls dead in this battle, the whole Italy will lament for him – the last great Roman general.

Scene 2
Attila‘s camp in the wood. Everything is ready for the rich feast. The Huns glorify his great General. Attila appears, accompanied by priests and warriors and takes the place of honour. Next to him is Odabella. Under the sounds of trumpets arrive the Romans with Ezio at the head, and Attila greets his noble enemy. Before the beginning of the feast, the druids warn the King to beware of his Roman guests. The priests of the Gauls have seen bad omens in the sky, but Attila doesn‘t pay attention to the prophesies and orders the priestesses to dance and sing. In the height of the celebrations, Foresto discovers Odabella and asks her weather she has succeeded to pour poison into Attila‘s cup. All of a sudden a strong wind sweeps away the fires. Everyone is terrified, but not Attila – the element of nature has only angered him and he orders to light the torches again and the feast to continue. Heated and thirsty, Attila decides to drink to the health of the Highest God of the Huns – Wodan, but in the last moment Odabella stops him and reveals, that there is poison in the cup. Foresto boldly takes upon himself the blame for the attempt and takes out his sword. Of course, he immediately gets arrested, but Odabella begs Attila to deliver the evil-doer to her. She personally would have it out with him! Attila agrees. Moved by Odabella‘s action, he declares in front of everyone, that tomorrow she would become his legal wife. And Rome has to prepare for battle – “the scourge of God” has awaken again. In the turmoil Odabella helps Foresto to escape. The young man swears to take revenge on Attila and on his unfaithful fiancée.

Act III
Morning in the wood, which separates the camps of Attila and Ezio. Here Foresto is waiting for Undino, who is also ready to take revenge on the King of the Huns. The young slave will give a signal to Ezio and the Romans will attack, when Attila retires in his tent with his young wife. Foresto suffers for his lost love and curses Odabella, who looks like an angel, but in her heart harbours evil. From Attila‘s camp is heard a festive song – Odabella is being led towards the King‘s tent. She is trying to run away, persecuted by the ghost of her father and all of a sudden she appears in front of Foresto in her magnificent wedding dress and with a crown on her head. The girl begs her beloved to forgive her, but he refuses to believe her. Then Ezio appeals them to forget about jealousy and pain – the time has come to fight. Attila appears. He is amazed to see his beloved among the enemies, with who he was so generous. Her – the slave, he has made his wife; to Foresto – the traitor, he has granted the life; and Ezio – the treacherous Roman, he has saved because of Rome! And all of them are in the plot against him! But Odabella sees next to the nupital bed the stained with blood ghost of her father; Foresto doesn‘t want his life without his fatherland and without his beloved woman; and even Ezio‘s city to be saved, Rome is being despised by the whole world, because it has deserved Attila‘s blood massacre.
Hearing the victorious cries of the nearing Roman soldiers, Odabella throws the crown away, she steps in front of Attila and sticks her sword right into his breast. Everybody is rejoicing – at last the Huns are defeated. The Eternal city is saved, and the conquered by Attila tribes and nations are revenged.


Those well familiar with the Book of Judith can easily join all the requisite dots here.






Judith and Holofernes, Attila and Ildico









“The tradition that Attila died in a wedding-night may be true.
But Attila is so much like Holofernes and Ildico so much like Judith…
that we suspect the tradition, even in its most sober version”.

Otto Maenchen-Helfen







[Attila’s] spectacular demise, on one of his many wedding nights, is memorably described by Gibbon:


Before the king of the Huns evacuated Italy, he threatened to return more dreadful, and more implacable, if his bride, the princess Honoria, were not delivered to his ambassadors…. Yet, in the mean while Attila relieved his tender anxiety, by adding a beautiful maid, whose name was Ildico, to the list of his innumerable wives. Their marriage was celebrated with barbaric pomp and festivity, at his wooden palace beyond the Danube; and the monarch, oppressed with wine and sleep, retired, at a late hour, from the banquet to the nuptial bed.

His attendants continued to respect his pleasures, or his repose, the greatest part of the ensuing day, till the unusual silence alarmed their fears and suspicions; and, after attempting to awaken Attila by loud and repeated cries, they at length broke into the royal apartment. They found the trembling bride sitting by the bedside, hiding her face with her veil…. The king…had expired during the night. An artery had suddenly burst; and as Attila lay in a supine posture, he was suffocated by a torrent of blood, which instead of finding a passage through his nostrils, regurgitated into the lungs and stomach. ….

The real story goes as follows (Judith 13:1-10):

When evening came, his slaves quickly withdrew. Bagoas closed the tent from outside and shut out the attendants from his master’s presence. They went to bed, for they all were weary because the banquet had lasted so long. But Judith was left alone in the tent, with Holofernes stretched out on his bed, for he was dead drunk.
Now Judith had told her maid to stand outside the bedchamber and to wait for her to come out, as she did on the other days; for she said she would be going out for her prayers. She had said the same thing to Bagoas. So everyone went out, and no one, either small or great, was left in the bedchamber. Then Judith, standing beside his bed, said in her heart, “O Lord God of all might, look in this hour on the work of my hands for the exaltation of Jerusalem. Now indeed is the time to help your heritage and to carry out my design to destroy the enemies who have risen up against us.”
She went up to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said, “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. Next she rolled his body off the bed and pulled down the canopy from the posts. Soon afterward she went out and gave Holofernes’ head to her maid, who placed it in her food bag.